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Item: 205165032439
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Convention/Event:2012 SDCC
Doctor Who Victory of the Daleks Figure:Victory of the Daleks, Figure, Winston Churchill, SDCC, Exclusive
Items Included:CHURCHILL FIGURE, TELEPHONES, EXTRA HANDS, HEAD, GLASSES
Victory of the Daleks Figure:Victory of the Daleks, Figure, Winston Churchill, SDCC, Exclusive
Year Manufactured:2012
Item Length:5.5 in
TV Show:Doctor Who
Exclusive Doctor Who Figure:Victory of the Daleks, Figure, Winston Churchill, SDCC, Exclusive
Original/Licensed Reproduction:Original
Features:1st Edition,Collector’s Edition,Exclusive,Limited Edition,Special Edition,Unboxed
Featured Person/Artist:Ian McNeice
Ian McNeice Figure:Victory of the Daleks, Figure, Winston Churchill, SDCC, Exclusive
Movie:Victory of the Daleks
Character:Ian McNeice,Winston Churchill
SDCC Doctor Who Figure:Victory of the Daleks, Figure, Winston Churchill, SDCC, Exclusive
Color:Multicolor
Vehicle Type:Dalek
Doctor Who Winston Churchill Figure:Victory of the Daleks, Figure, Winston Churchill, SDCC, Exclusive
Material:ABS Plastic
Franchise:Doctor Who
Character Options:Character Options
Series:Doctor Who Victory of the Daleks
Type:Action Figure Collection
Theme:TV, Movie & Video Games
Time Period Manufactured:2010-2019
Victory of the Daleks Collectors Set:Victory of the Daleks, Figure, Winston Churchill, SDCC, Exclusive
Country/Region of Manufacture:China
ITEM IS REMOVED FROM PACKAGING TO BE SOLD LOOSE, STILL CONTAINS THE PLASTIC. “Doctor Who 2012 SDCC Exclusive Victory of the Daleks Collectors Set” “Doctor Who Victory of the Daleks Winston Churchill Figure” Up for sale is the ultra rare Series 5 “2012 Doctor Who SDCC Exclusive Victory of the Daleks Collectors Set Winston Churchill Figure”. This “2012 Doctor Who Victory of the Daleks Winston Churchill Figure” was exclusive to the 2012 San Diego Comic Con and is brand new and taken out of the original packaging for individual sale. Please see all pics. It is the immensely popular and includes the “Doctor Who Winston Churchill Figure”, The Extra Head, The Extra Hand, Two Sets of Glasses, and 3 War Phones. We purchased many Doctor Who Collector Sets recently so if you are interested in another set please visit our store. This “2012 Doctor Who Victory of the Daleks figure” was released by Underground Toys and manufactured by Character Options Ltd for release at the 2012 comic con. It represents “Ian McNeice” From the Doctor Who Episode “Victory of the Daleks”. The “Doctor Who Churchill Figure” is in the 5.5″ range. 2 Winston Churchill heads (one with hat and one without), Alternative hand, 2 pairs of removable glasses and 3 telephones Doctor Who Victory of the Daleks Figure Collector’s Set: Victory of the Daleks The Doctor has been summoned by his old friend Winston Churchill but in the Cabinet War Rooms, far below the streets of blitz-torn London, he finds his oldest enemy waiting for him… The Daleks are back! And can Churchill really be in league with them? Dalek Ironside The Ironsides were designed to be the perfect warrior, after the concept was dreamt up by Professor Bracewell, seemingly from nowhere. In actual fact, these new weapons which Winston Churchill wanted to use to win the war were in fact Daleks, who had fallen back through time and needed the Doctor to be able to create the new Dalek race. Professor Bracewell was in fact an android built by the Daleks, part of a complex trap to lure the Doctor back to where they were hiding, so he would unwittingly allow the Dalek race to be reborn thanks to his testimony. The new Daleks appeared, and exterminated the Ironsides. “Victory of the Daleks” is the third episode in the fifth series of British science fiction television series Doctor Who. Written by Mark Gatiss and directed by Andrew Gunn, it was first broadcast on BBC One on 17 April 2010. In the episode, the Doctor (Matt Smith) and his companion Amy Pond (Karen Gillan) arrive in London during the Blitz, where Winston Churchill (Ian McNeice) has employed “Ironsides”, a scientific creation from Professor Bracewell (Bill Paterson) to be used as weapons in the war effort. However, the Doctor recognizes the Ironsides as his archenemies the Daleks, who plan to destroy Earth by activating a device located inside Bracewell, an android. Wishing to incorporate the popular Daleks into the series, showrunner Steven Moffat instructed Gatiss to write an episode about Churchill and the Daleks. The episode introduces a new “Paradigm” of Daleks, which were designed by Gatiss to be bigger and more colorful than the previous variant. “Victory of the Daleks” was seen by 8.2 million viewers on BBC One and BBC HD, placing second for the night it aired. Critical reception was mixed; both McNeice and Paterson’s performances were praised, but some felt that the episode was too rushed and would have worked better if it was spread over two episodes. The Eleventh Doctor and Amy take the TARDIS to the Cabinet War Rooms during the Second World War. As the Doctor arrived late, Winston Churchill turned to the scientific advances of Professor Edwin Bracewell, including robotic devices called “Ironsides”, which are recognised immediately by the Doctor as his arch-enemies, the Daleks, but act as Bracewell’s inventions. The Doctor attacks the devices, shouting “I am the Doctor and you are the Daleks!” Unbeknown to the Doctor and the humans, a Dalek ship is in orbit near the Moon; upon hearing the Doctor’s “testimony”, which has just been transmitted by the Ironsides, the Dalek aboard uses it to activate a “Progenitor device” and alerts its comrades on Earth. The Daleks reveal their intent and expose Bracewell as an android before returning to their ship. The Doctor follows in the TARDIS, leaving Amy behind for her protection. The Doctor threatens to destroy the ship, including himself, before the Progenitor completes, as part of the Daleks’ plot to restore their race, but the Daleks fire an energy beam at London that lights up the entire city minutes before an air raid by the Luftwaffe, leaving the Doctor’s allies vulnerable and creating a stalemate. When the Progenitor completes, five brand new Daleks in larger, redesigned casings emerge from the Progenitor Chamber. They disintegrate the older “impure” models, who die willingly. At the same time, Amy convinces Churchill and Bracewell to use the technological know-how they have obtained from the Daleks to modify three Spitfires so that they can fly in space. The pilots attack and destroy the dish on the underside of the Dalek ship that was firing the energy beam. Before the last Spitfire pilot can destroy the ship, the Daleks trigger the power source inside Bracewell that contains an unstable wormhole that will consume Earth if released. The Doctor, torn over defeating the Daleks or saving Earth, orders the Spitfire to stop its attack and returns to Earth. With the Doctor’s help, Amy is able to convince Bracewell that he is more human than machine, deactivating the device. The Daleks, having played on the Doctor’s compassion for Earth, announce their victory and retreat into hyperspace. The Doctor and Amy remove all the advanced technology borrowed from the Daleks despite Churchill wanting to use it for the war, and convince Bracewell that he need not be deactivated because he helped save the world. Continuity Several allusions are made to previous Dalek adventures. In The Power of the Daleks (1966), a resuscitated Dalek declared “I am your servant!”, similar to the line “I am your soldier” as used in this episode.[2][3] The Doctor also expresses a desire to see “the final end” of the Daleks – a direct quotation from The Evil of the Daleks (1967), when his second incarnation expresses the hope that the Daleks have finally been destroyed for good.[2] The Doctor refers to the events of the previous Dalek invasion of Earth (in “The Stolen Earth” and “Journey’s End”) when talking to Amy about the Daleks, becoming concerned when Amy does not remember these events.[2][3][4] At the end of the episode, a crack is shown in the wall behind where the TARDIS had been parked.[3] The crack, having first appeared in Amy’s bedroom when she was a little girl, has been a recurring theme; in “Flesh and Stone” the Doctor discovers it has the power to erase things from existence, the reason Amy cannot remember the Daleks. The Eleventh Doctor is an incarnation of the Doctor, the protagonist of the BBC science fiction television programme Doctor Who. He is played by Matt Smith in three series as well as five specials. As with previous incarnations of the Doctor, the character has also appeared in other Doctor Who spin-offs. Within the series’ narrative, the Doctor is a centuries-old alien Time Lord from the planet Gallifrey who travels in time and space in the TARDIS, frequently with companions. At the end of life, the Doctor regenerates; as a result, the physical appearance and personality of the Doctor changes. Smith’s incarnation is a quick-tempered but compassionate character whose youthful appearance is at odds with his more discerning and world-weary temperament. This incarnation’s main companions included feisty Scot Amy Pond (Karen Gillan), her husband Rory Williams (Arthur Darvill) and the mysterious Clara Oswald (Jenna-Louise Coleman). He also frequently appeared alongside River Song (Alex Kingston), a fellow time traveller with whom he shared a romantic storyline, and he was the last Doctor to appear alongside the long-serving companion Sarah Jane Smith (Elisabeth Sladen) prior to the actress’ death, featuring in two episodes of the spin-off programme The Sarah Jane Adventures. The fifth series of the British science-fiction television programme Doctor Who was originally broadcast on BBC One in 2010. The series began on 3 April 2010 with “The Eleventh Hour”, and ended with “The Big Bang” on 26 June 2010. It was produced by head writer and executive producer Steven Moffat, who took over when Russell T Davies ended his involvement in the show after “The End of Time”. The series has 13 episodes, six of which were written by Moffat. Piers Wenger and Beth Willis were co-executive producers, and Tracie Simpson and Peter Bennett were producers. Although it is the fifth series since the show’s revival in 2005 (and the thirty-first since it began in 1963), the series’ production code numbers were reset. It was the first series to feature Matt Smith as the eleventh incarnation of the Doctor, an alien Time Lord who travels through time and space in his TARDIS (a spacecraft whose exterior resembles a British police box). Karen Gillan is introduced as the Doctor’s new companion, Amy Pond. Her fiancé, Rory Williams (Arthur Darvill), appears in seven episodes, travels with the Doctor and Amy, and is a regular character in the next series. Alex Kingston returns as River Song, a mysterious woman from the Doctor’s future who summons him twice in this series. The main story arc, covering several episodes, concerns a pattern of cracks in the universe which are sometimes unnoticed by the characters. It is discovered that the cracks can erase things from existence; this happens to Rory, and Amy forgets him. It is revealed in the series finale it that the cracks were caused by the TARDIS exploding, and the Doctor is forced to reboot the universe to its state before the cracks appeared. In addition to the six episodes written by Moffat, Mark Gatiss, Toby Whithouse, Simon Nye, Richard Curtis, and Gareth Roberts wrote one episode each; Chris Chibnall wrote a two-episode story. The series was meant to be fantastical to stand out from other science-fiction and fantasy shows, and the production team strove for a fairy-tale quality because Moffat believed that media aimed at children were some of the most popular among adults. The episodes were directed by directors who were new to Doctor Who. Filming began in late July 2009, lasting about nine months. The series was filmed primarily in Wales, except for “The Vampires of Venice” and “Vincent and the Doctor” (which had scenes filmed in Trogir, Croatia). Design changes from the previous series included a new logo, title sequence, variant of the Doctor’s sonic screwdriver, interior and exterior of the TARDIS, and a change in the theme music. The series premiere was watched by 10.085 million viewers (the most-watched premiere since “Rose” of the first series), and set records on BBC America in the United States and the BBC’s online iPlayer. Although overnight ratings declined compared to other series, one writer calculated that viewership had not changed significantly when time-shifted ratings were taken into account. The series received positive reviews, with praise for Moffat’s story arc and the performances of Smith, Gillan, and Darvill. However, reviewers noted Amy’s lack of character development and the series’ diminished emotional appeal. It received a number of awards and nominations; “Vincent and the Doctor” and the two-part finale were nominated for the Hugo Award for Best Dramatic Presentation (Short Form), with the award going to the finale. Smith was the first actor playing the Doctor to be nominated for a BAFTA award. The series was accompanied by a soundtrack and tie-in books and video games; four of the latter were released on the BBC website and advertised as additional episodes of the series. Doctor Who first appeared on BBC TV at 17:16:20 GMT on Saturday, 23 November 1963; this was eighty seconds later than the scheduled programme time, because of the assassination of John F. Kennedy the previous day.[5][6] It was to be a regular weekly programme, each episode 25 minutes of transmission length. Discussions and plans for the programme had been in progress for a year. The head of drama Sydney Newman was mainly responsible for developing the programme, with the first format document for the series being written by Newman along with the head of the script department (later head of serials) Donald Wilson and staff writer C. E. Webber. Writer Anthony Coburn, story editor David Whitaker and initial producer Verity Lambert also heavily contributed to the development of the series. The programme was originally intended to appeal to a family audience[8] as an educational programme using time travel as a means to explore scientific ideas and famous moments in history. On 31 July 1963, Whitaker commissioned Terry Nation to write a story under the title The Mutants. As originally written, the Daleks and Thals were the victims of an alien neutron bomb attack but Nation later dropped the aliens and made the Daleks the aggressors. When the script was presented to Newman and Wilson it was immediately rejected as the programme was not permitted to contain any “bug-eyed monsters”. According to producer Verity Lambert; “We didn’t have a lot of choice — we only had the Dalek serial to go … We had a bit of a crisis of confidence because Donald [Wilson] was so adamant that we shouldn’t make it. Had we had anything else ready we would have made that.” Nation’s script became the second Doctor Who serial – The Daleks (also known as The Mutants). The serial introduced the eponymous aliens that would become the series’ most popular monsters, and was responsible for the BBC’s first merchandising boom. The BBC drama department’s serials division produced the programme for 26 seasons, broadcast on BBC 1. Due to his increasingly poor health, the first actor to play the Doctor, William Hartnell, was replaced by the younger Patrick Troughton in 1966. In 1970 Jon Pertwee replaced Troughton and the series at that point moved from black and white to colour. In 1974 Tom Baker was cast as the Doctor. His eccentric style of dress and quirky personality became hugely popular, with viewing figures for the show returning to a level not seen since the height of “Dalekmania” a decade earlier. In 1981, after a record seven years in the role, Baker was replaced by Peter Davison, at 29 by far the youngest actor to be cast as the character in the series’ first run, and in 1984 Colin Baker replaced Davison. In 1985 the channel’s controller Michael Grade attempted to cancel the series, but this became an 18-month hiatus instead. He also had Colin Baker removed from the starring role in 1986. The role was recast with Sylvester McCoy, but falling viewing numbers, a decline in the public perception of the show and a less-prominent transmission slot saw production ended in 1989 by Peter Cregeen, the BBC’s new head of series. Although it was effectively cancelled with the decision not to commission a planned 27th season, which would have been broadcast in 1990, the BBC repeatedly affirmed, over several years, that the series would return. While in-house production had ceased, the BBC hoped to find an independent production company to relaunch the show. Philip Segal, a British expatriate who worked for Columbia Pictures’ television arm in the United States, had approached the BBC about such a venture as early as July 1989, while the 26th season was still in production. Segal’s negotiations eventually led to a Doctor Who television film, broadcast on the Fox Network in 1996 as an international co-production between Fox, Universal Pictures, the BBC and BBC Worldwide. Starring Paul McGann as the Doctor, the film was successful in the UK (with 9.1 million viewers), but was less so in the United States and did not lead to a series. Licensed media such as novels and audio plays provided new stories, but as a television programme Doctor Who remained dormant until 2003. In September of that year, BBC Television announced the in-house production of a new series after several years of attempts by BBC Worldwide to find backing for a feature film version. The executive producers of the new incarnation of the series were writer Russell T Davies and BBC Cymru Wales head of drama Julie Gardner. Starring Christopher Eccleston as the Doctor, Doctor Who finally returned with the episode “Rose” on BBC One on 26 March 2005. Eccleston left after one series and was replaced by David Tennant. There have since been eleven further series in 2006–2008, 2010–2015, 2017–2018, 2020, and Christmas/New Year’s Day specials every year since 2005, with the exception of 2018. No full series was broadcast in 2009, although four additional specials starring Tennant were made. Davies left the show in 2010 after the end of series 4 and the David Tennant specials were completed. Steven Moffat, a writer under Davies, was announced as his successor, along with Matt Smith as the new Doctor. Smith decided to leave the role of the Doctor in the 50th anniversary year. He was replaced by Peter Capaldi. In January 2016, Moffat announced that he would step down after the 2017 finale, to be replaced by Chris Chibnall in 2018. The tenth series debuted in April 2017, with a Christmas special preceding it in 2016. Jodie Whittaker was announced as the first female Doctor, and has appeared in two series and is scheduled to reprise her role in a third, shorter series. The 2005 version of Doctor Who is a direct plot continuation of the original 1963–1989 series and the 1996 telefilm. This is similar to the 1988 continuation of Mission Impossible, but differs from most other series relaunches which have either been reboots (for example, Battlestar Galactica and Bionic Woman) or set in the same universe as the original but in a different time period and with different characters (for example, Star Trek: The Next Generation and spin-offs).
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