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Artist:Anthrax,Death,Destruction,Metallica,Morbid Angel,Morbid Saint,Mortician,Obituary,Pantera,Sepultura,Slayer,Sodom,Venom,Warlord,Pentagram,Trouble,exciter,deicide,bolt thrower,sacrifice,razor,tank
Speed:33 RPM
Record Label:High Roller Records
Release Title:mad butcher
Color:Multicolor
Material:Vinyl
Inlay Condition:Mint (M)
Edition:Anniversary Edition,Limited Edition
Type:LP
Record Grading:Mint (M)
Format:Record
Release Year:2023
Sleeve Grading:Mint (M)
Era:1980s
Style:Death Metal,Doom/Sludge Metal,Hard Rock,Heavy Metal,Power/Progressive Metal,Thrash & Speed
Record Size:12″
Features:Colored Vinyl,Import,Sealed,Limited Edition
Genre:Metal,Rock,Rock ‘n’ Roll
Country/Region of Manufacture:Germany
Brand new, sealed. High Roller Records, reissue 2023, white/ doublemint mixed w/ red splatter vinyl, ltd 400, 425gsm heavy cardboard cover, printed inner sleeve, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, original 1987 sound DESTRUCTION – Mad Butcher MLP Schmier – Bass, VocalsMike Sifringer – GuitarsHarry Wilkens – GuitarsOliver Kaiser – Drums 1. Mad Butcher2. The Damned (Plasmatics cover)3. Reject Emotions4. The Last Judgement Mastered by Patrick W. Engel at TEMPLE OF DISHARMONY in February 2017. Destruction’s second EP “Mad Butcher” first came out in 1987 via Steamhammer; here Destruction’s now-iconic band mascot made his first visual appearance. Moreover, it was the first Destruction release with the two new band members, Oliver Kaiser on drums and new guitarist Harry Wilkens. Original guitarist Mike Sifringer explains why Destruction had decided to extend the band into a four-piece and to include a second guitarist: “Harry was playing in a local band called Razor’s Edge and was known for his great guitar skills. He was the best lead player around and he was able to play this technical, classical stuff. We thought his style would fit, and the music could possibly become more interesting with two guitars.”Schmier reports how the two new members got into the band and what their influence on the song writing and the whole interpersonal fabric of Destruction was: “They brought in a lot of new influences and we wanted to move forward. Both were skilled musicians, so we were happy to take the next step up the ladder. Also, both came from our region which was very important for the band’s chemistry. We had to replace Tommy because he left the band, and somehow Harry – who already came in for the ETERNAL tour with Kreator – was a friend of Oli’s, and so one thing led to another…”One of the most striking things about the EP is the re-recorded version of “Mad Butcher” with the new double-solos by Mike and Harry, and of course the Pink Panther theme that closes the song in a very humorous way. Oli tells us how it all came about and why they thought it was necessary to remake the first version: “The first songs Schmier, Mike and Harry were jamming along to with me – as the possible new drummer – were ‘Mad Butcher’ and ‘Reject Emotions’. Schmier knew that there was more potential in some of the ‘old’ songs like ‘Mad Butcher’, which was part of the current live set and a perfect song to check on how I would be doing with the speed stuff. At the same time they were working on an expanded solo to feature Harry’s outstanding talent. It turned out so well that it became clear it should be recorded anew this way since it reflected how the band was progressing musically. The original version on ‘Sentence of Death’ was only about two years old, back then nobody thought of it as a cult version that should be left untouched forever. The ‘Pink Panther’ theme came out of the blue, Harry played it just for fun and I joined on the drums adding a hard rock feel as a joke.”“Mad Butcher” was recorded at the end of 1986 in Münster, North Rhine-Westphalia, and produced by Kalle Trapp, a former member of the band Wonderland. Mike on that: “It was a totally new experience to play along to steady drums. The band tried to get tighter and Oli helped a lot with that.”The EP also contains “The Damned”, originally a song by the Plasmatics, a truly infamous band with one of the most controversial and provocative female singers ever out there, Wendy O. Williams. Were Destruction “just” big fans or what was the reason to do the cover? Schmier: “Harry came up with the idea and we really liked the song. We wanted to try something new and this was the chance. We were big fans of Lemmy and she was one of his muses, that was one important reason to do it… haha… but also the song is really cool and punky, we totally liked that attitude.”Even so, “Mad Butcher” is far from being a simplistic punk-thing: “Reject Emotions” and “The Last Judgement” definitely show some strong neo-classical traits. Oli explains where Destruction drew their inspiration from: “Again, the credits go to Harry. He was totally inspired by Baroque harmonisation perfected by Bach and he was very positively obsessed with filling in his own melodies to the old masters’ harmonic backings. He also cherished Paganini for that matter and we were all very much in awe how Harry worked out his harmonies and melody lines. This suited Mike very well who also chose a more classical approach to some of his legendary intros. He and Harry made a perfect match, and when the record company called up after the recording of the ‘Mad Butcher’ EP to say that we needed more material to make it a ‘Mini LP’, as it was called back then, Harry and Mike took it on themselves to realise ‘The Last Judgement’ in no time.” Mike agrees: “That’s right, Harry and I had to go back to the studio and create something out of nothing. So ‘The Last Judgement’ was something like a jam session and an experiment.”The very intricately composed “Reject Emotions” is sometimes called a “thrash ballad” – but Mike is not really willing to agree: “It’s not really a thrash ballad. The beginning sounds like a ballad, yes, but that’ about it. We wanted to write a song that starts with a mellow feeling, just to show we can.”As mentioned above, this was the first time that a visual representation of the “Mad Butcher” appeared on the scene. Was there a real, living person who served as a role model for the new mascot, or what else was the spark that brought him into existence? Schmier gives the answer: “Not really, ‘cause this version of the song was just a remake of one of our first songs we ever wrote but the label wanted it like that. They saw the potential. We took the chance to present the new line-up and to experiment a bit. But indeed ‘the dude’ became our mascot and a cult character for the band, partly because of the brilliant cover art by Sebastian Krüger. Mike wrote the lyrics already back in 1983 and he took his inspiration from the story of Jack the Ripper.” Mike has something to add to this: “Our former manager had the butcher-idea… I like this cover very much. It’s a classic, right?” Yes, it is indeed! Just as much as the EP itself, which had an enormous impact on the further musical development of Destruction. Oli tells us what kind of impact that was: “’Mad Butcher’ was very well received, in fact the record got even close to entering the charts. Of course, the rough edges of ‘Eternal Devastation’ had been evened out but that had not been a conscious decision. At that time everybody was heavily into ‘Master of Puppets’ and it was clear that ‘Reject Emotions’ was our way to respond to that album. Harry had such great musical skills that we automatically opted to go the ‘Puppets’ way as opposed to the ‘Reign in Blood’ path. Both albums are landmarks of Thrash and Speed but ‘Puppets’ came out a half year earlier and it defined what you were listening to all summer long in 1986. It was almost like standing at the crossroads back then with the Metallica-versus-Slayer thing, and finally it was ‘Reject Emotions’ that became something like the blueprint for the songs on ‘Release from Agony’.”Finally, one might expect that there are some interesting stories connected to a classic like ‘Mad Butcher’…? Yes, there are a few, and Schmier loves to share them: “I think by now everybody knows that I wrote ‘Reject Emotions’ after the split with my ex chick from Canada – it was my way of saying goodbye… haha… I was 21, wild and angry. The ‘Mad Butcher’ t-shirt was the best selling item on a small merch company called EMP. After this great success, the company kept getting bigger and bigger… hahaha… the rest is history as we all know!” Ulrike Schmitz After just one year from the great album Eternal Devastation, Destruction are back and another little piece of thrash metal history is achieved. This little but significant EP features just four tracks but the quality is always high. Now the band is in shape and they are growing as musicians and we can hear it album after album, year after year. That was the best period for the band before the split and the reunion and these tracks are again some of their most representative ones. Without further introductions, let’s get straight to the music. This EP starts with the incredibly dynamic and schizophrenic riff of another classic in the Destruction’s discography: “Mad Butcher”. The tempo is fast and the production follows the same path of the previous albums with sharp and essential sounds even if this time the guitars have a heavier and more compact sound. All it’s made to be the most simple as possible and the band is truly compact. Schmier is still great at the vocals with his raspy tonality and the high pitched and short screams to mark out some parts. The riffs are intricate as always with lots, lots of palm muting riffs and drastic tempo changes. The following is a Plasmatic cover and it’s pretty damn good because it conserves that gloom and somehow apocalyptic felling of the original. The tempo on this song is more mid-paced by the beginning to grow in some parts. The melodies by the guitars are this time more evident and they achieved the goal of transforming them in a kind of speed metal ones. Great. In some parts I rather prefer this version instead of the original one. The solos are always very good and with Destruction you cannot go wrong. “Reject Emotions” always remembered me a composition by Flotsam and Jetsam, especially during the introspective part by the beginning. It’s made of melodic and sad arpeggios and it turns to thrash while it goes on. In a long song like this one, the tempo changes are always numerous and essential, even if it’s not total impact. It’s more focused on less impulsive paces and the riffs are always great because truly relentless and more bound to speed. The final “The Last Judgement” is an instrumental song and the arpeggios have something mystical and apocalyptic, following the title of the song. The solos are incredibly numerous and the dark melodies they create are simply amazing. At the end, I must say that this is an EP that worth at least a listen. It contains some classics by this band. Destruction – Band DescriptionDestruction is a seminal German thrash metal band that formed in 1982. Renowned for their high-speed riffs, aggressive drumming, and snarling vocals, Destruction has been a significant influence in the thrash metal genre. Their music is characterized by its relentless energy, technical proficiency, and raw intensity. Over the decades, Destruction has maintained their status as one of the leading bands in the thrash metal scene. 50 Similar ArtistsSlayerKreatorSodomExodusTestamentOverkillMetallicaMegadethAnthraxSepulturaNuclear AssaultDark AngelDeath AngelSacred ReichVio-LenceForbiddenHeathenFlotsam and JetsamCoronerVoivodAnnihilatorArtilleryRazorTankardOnslaughtWhiplashPossessedHiraxExumerToxikHoly MosesDemolition HammerWarbringerHavokToxic HolocaustEvileMunicipal WasteGama BombSuicidal AngelsAngelus ApatridaWarfectPower TripLich KingSkeletonwitchDeathBathoryBolt ThrowerMorbid SaintVenomAssassin
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