1934 Hans Fallada WHO ONCE EATS OUT OF THE TIN BOWL Criminal Reintegrate GERMANY
1934 Hans Fallada WHO ONCE EATS OUT OF THE TIN BOWL Criminal Reintegrate GERMANY
1934 Hans Fallada WHO ONCE EATS OUT OF THE TIN BOWL Criminal Reintegrate GERMANY
1934 Hans Fallada WHO ONCE EATS OUT OF THE TIN BOWL Criminal Reintegrate GERMANY
1934 Hans Fallada WHO ONCE EATS OUT OF THE TIN BOWL Criminal Reintegrate GERMANY
1934 Hans Fallada WHO ONCE EATS OUT OF THE TIN BOWL Criminal Reintegrate GERMANY
1934 Hans Fallada WHO ONCE EATS OUT OF THE TIN BOWL Criminal Reintegrate GERMANY
1934 Hans Fallada WHO ONCE EATS OUT OF THE TIN BOWL Criminal Reintegrate GERMANY
1934 Hans Fallada WHO ONCE EATS OUT OF THE TIN BOWL Criminal Reintegrate GERMANY
1934 Hans Fallada WHO ONCE EATS OUT OF THE TIN BOWL Criminal Reintegrate GERMANY
1934 Hans Fallada WHO ONCE EATS OUT OF THE TIN BOWL Criminal Reintegrate GERMANY
1934 Hans Fallada WHO ONCE EATS OUT OF THE TIN BOWL Criminal Reintegrate GERMANY


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Location: Flamborough, Bridlington
Ships to: US,
Item: 123461351520

Returns Accepted:Returns Accepted
After receiving the item, your buyer should cancel the purchase within:30 days
Return policy details:If any book is significantly not as described, I will offer a full refund, including return postage.

All books are securely wrapped and posted in a cardboard container.
Return postage will be paid by:Buyer
Binding:Hardback
Language:English
Fiction Subject:Classic Literature
Author:Hans Fallada
Place of Publication:London
Publisher:Putnam
Year Printed:1934

Who Once Eats Out of the Tin Bowl by Hans Fallada (Rudolf Wilhelm Friedrich Ditzen) Translated from the German by Eric Sutton This is the 1934 First English Edition “WILLI KUFALT, convict, was pacing up and down his cell. Five paces forward, five paces back. And once more five paces forward. He stopped for a moment under the window. It was set open slantwise, so far as the iron shutters allowed, and through it he could hear the shuffle of many feet, and the intermittent shout of a warder: “Keep your distance! Five paces apart!” ” Front cover and spine Further images of this book are shown below Publisher and place of publication Dimensions in inches (to the nearest quarter-inch) London: Putnam, Covent Garden 5 inches wide x 7½ inches tall Edition Length 1934 First English Edition Wer Einmal Aus Dem Blechnapf Frisst, First Published in Germany, 1934 Who Once Eats Out Of The Tin Bowl, First Published in England, October 1934 568 pages Condition of covers Internal condition Original blue cloth gilt. The covers are scuffed and rubbed with some variation in colour and small areas where the cloth is lifting. There are two horizontal creases across the spine. The spine ends and corners are bumped. There are no internal markings and the text is very clean throughout on slightly tanned paper. The end-papers are browned and discoloured. The edge of the text block is dust-stained, particularly the top edge which is grubby and slightly stained. There is some shelfwear on the bottom edge. Dust-jacket present? Other comments No There is some age-related wear to this First English Edition of Fallada’s novel but, overall, it remains a pleasing example of a rare title. Illustrations, maps, etc Contents NONE : No illustrations are called for Please see below for details Post & shipping information Payment options The packed weight is approximately 900 grams. Full shipping/postage information is provided in a panel at the end of this listing. Payment options : UK buyers: cheque (in GBP), debit card, credit card (Visa, MasterCard but not Amex), PayPal International buyers: credit card (Visa, MasterCard but not Amex), PayPal Full payment information is provided in a panel at the end of this listing. Who Once Eats Out of the Tin Bowl Contents 1. Time-expired 2. Release 3. The Home of Peace 4. The Road to Freedom 5. The Cito-Presto Typing Agency 6. On His Own 7. Collapse 8. A Job 9. Ripe for Arrest 10. North, South, East, West—Home’s best Biographical Information Hans Fallada (born Rudolf Wilhelm Friedrich Ditzen; 21 July 1893 – 5 February 1947) Fallada was born in Greifswald, Germany, the child of a magistrate on his way to becoming a supreme court judge and a mother from a middle-class background, both of whom shared an enthusiasm for music, and to a lesser extent, literature. In 1899, when Fallada was six, his father relocated the family to Berlin following the first of several promotions he would receive. Fallada had a very difficult time upon first entering school in 1901. In 1909 the family again relocated, to Leipzig, following his father’s appointment to the Imperial Supreme Court. A severe road accident in 1909 (he was run over by a horse-drawn cart, then kicked in the face by the horse) and the contraction of typhoid in 1910 seem to mark a turning point in Fallada’s life and the end of his relatively care-free youth. His adolescent years were characterized by increasing isolation and self-doubt, compounded by the lingering effects of these ailments. In addition, his lifelong drug problems were born of the pain-killing medications he was taking as the result of his injuries. These issues manifested themselves in multiple suicide attempts. In 1911 he made a pact with a friend, Hanns Dietrich von Necker, to stage a duel to mask their suicides, feeling that the duel would be seen as more honourable. However, because of both boys’ inexperience with weapons, it was a bungled affair. Dietrich missed Fallada, but Fallada did not miss Dietrich, killing him. Fallada was so distraught that he picked up Dietrich’s gun and shot himself in the chest, but somehow survived. Nonetheless, the death of his friend ensured his status as an outcast from society. Although he was found innocent of murder by way of insanity, from this point on he would serve multiple stints in mental institutions. While in a sanatorium Fallada took to translation and poetry, albeit unsuccessfully, before finally breaking ground as a novelist in 1920 with the publication of his first book Der junge Goedeschal (“Young Goedeschal”). During this period he also struggled with morphine addiction, and the death of his younger brother in the First World War. In the wake of the war, Fallada worked at several agricultural jobs in order to support himself and finance his growing drug addiction. While before the war Fallada relied on his father for financial support while writing, after the German defeat he was no longer able, or willing, to depend on his father’s assistance. Shortly after the publication of Anton und Gerda Fallada reported to prison in Greifswald to serve a 6-month sentence for stealing grain from his employer and selling it to support his drug habit. Less than 3 years later, in 1926, Fallada again found himself imprisoned as a result of a drug and alcohol-fuelled string of thefts from employers. In February 1928 he finally emerged free of addiction. Fallada married Anna “Suse” Issel in 1929 and maintained a string of respectable jobs in journalism, working for newspapers and eventually for the publisher of his novels, Rowohlt. It is around this time that his novels became noticeably political and started to comment on the social and economic woes of Germany. His breakthrough success came in 1930/1931 with A Small Circus based on the history of the Rural People’s Movement in Schleswig-Holstein and the farmers’ protest and boycott of the town of Neumünster. The great success of Kleiner Mann – was nun? in 1932, while immediately easing his financial straits, was overshadowed by his anxiety over the rise of national socialism and a subsequent nervous breakdown. Although none of his work was deemed subversive enough to warrant action by the Nazis, many of his peers were arrested and interned, and his future as an author under the Nazi regime looked bleak. These anxieties were compounded by the loss of a baby only a few hours after childbirth. Meanwhile, as the careers, and in some cases the lives, of many of Fallada’s contemporaries were rapidly drawing to a halt, he began to draw some additional scrutiny from the government in the form of denunciations of his work by Nazi authors and publications, who also noted that he had not joined the Party. On Easter Sunday, 1933, he was jailed by the Gestapo for “anti-Nazi activities” after one such denunciation, but despite a ransacking of his home no evidence was found and he was released a week later. Although his 1934 novel, Wir hatten mal ein Kind (Once We Had a Child) met with initially positive reviews, the official Nazi publication Völkischer Beobachter disapproved. In the same year, the Ministry for Public Enlightenment and Propaganda “recommended the removal of Little Man, What Now? from all public libraries”. Meanwhile, the official campaign against Fallada was beginning to take a toll on the sales of his books, landing him into financial straits that precipitated another nervous breakdown in 1934. In September 1935 Fallada was officially declared an “undesirable author”, a designation that banned his work from being translated and published abroad. Although this order was repealed a few months later, it was at this point that his writing shifted from an artistic endeavour to merely a much-needed source of income, writing “children’s stories and harmless fairy tales” that would also conveniently avoid the unwanted attention of the Nazis. During this time the prospect of emigration held a constant place in Fallada’s mind, although he was reluctant because of his love of Germany. In 1937 the publication and success of Wolf unter Wölfen (Wolf Among Wolves) marked Fallada’s temporary return to his serious, realistic style. The Nazis read the book as a sharp criticism of the Weimar Republic, and thus naturally approved. By the end of 1938, despite the deaths of several colleagues at the hands of the Nazis, Fallada finally reversed his decision to emigrate. His British publisher, George Putnam, had made arrangements and sent a private boat to whisk Fallada and his family out of Germany. According to Jenny Williams, Fallada had actually packed his bags and loaded them into the car when he told his wife he wanted to take one more walk around their smallholding. “When he returned some time later,” Williams writes, “he declared that he could not leave Germany and that Suse should unpack.” Fallada once again dedicated himself to writing children’s stories and other non-political material suitable for the sensitive times. Nevertheless, with the German invasion of Poland in 1939 and the subsequent outbreak of World War II, life became still more difficult for Fallada and his family. War rations were the basis for several squabbles between his family and other members of his village. On multiple occasions neighbours reported his supposed drug addiction to authorities, threatening to reveal his history of psychological disturbances, a dangerous record indeed under the Nazi regime. The rationing of paper, which prioritized state-promoted works was also an impediment to his career. Nevertheless, he continued to publish in a limited role, even enjoying a very brief window of official approval. This window closed abruptly near the end of 1943 with the loss of his 25-year publisher Rowohlt, who fled the country. It was also at this time that he turned to alcohol and extra-marital affairs to cope with, among other matters, the increasingly strained relationship with his wife. In 1944, although their divorce was already finalized, a drunk Fallada and his wife were involved in an altercation in which a shot was fired by Fallada. According to Suse Ditzen, she took the gun from her husband and hit him over the head with it before calling the police, who confined him to a psychiatric institution. (The police record of the call to the altercation makes no mention of shots being fired.) Despite a seemingly successful reconciliation with his first wife, he went on to marry the young, wealthy and attractive widow Ulla Losch only a few months after his release and moved in with her in Feldberg, Mecklenburg. Shortly after, the Soviets invaded the area. Fallada, as a celebrity, was asked to give a speech at a ceremony to celebrate the end of the war. Following this speech, he was appointed interim mayor of Feldberg for 18 months. The time in the mental institution had taken a toll on Fallada, and, deeply depressed by the seemingly impossible task of eradicating the vestiges of fascism that were now so deeply ingrained in society by the Nazi regime, he once again turned to morphine with his wife, and both soon ended up in hospital. He spent the brief remainder of his life in and out of hospitals and wards. Losch’s addiction to morphine appears to have been even worse than Fallada’s, and her constantly mounting debts were an additional source of concern. Fallada wrote Jeder stirbt für sich allein (Every Man Dies Alone) between September and November 1946 (shortly before his death), whilst in a mental institution. He told his family that he had written “a great novel”. At the time of Fallada’s death in February 1947, aged 53, from a weakened heart from years of addiction to morphine, alcohol and other drugs, he had recently completed Every Man Dies Alone, an anti-fascist novel based on the true story of a German couple, Otto and Elise Hampel, who were executed for producing and distributing anti-Nazi material in Berlin during the war. Please note: to avoid opening the book out, with the risk of damaging the spine, some of the pages were slightly raised on the inner edge when being scanned, which has resulted in some blurring to the text and a shadow on the inside edge of the final images. Colour reproduction is shown as accurately as possible but please be aware that some colours are difficult to scan and may result in a slight variation from the colour shown below to the actual colour. In line with eBay guidelines on picture sizes, some of the illustrations may be shown enlarged for greater detail and clarity. U.K. buyers: To estimate the “packed weight” each book is first weighed and then an additional amount of 150 grams is added to allow for the packaging material (all books are securely wrapped and posted in a cardboard book-mailer). The weight of the book and packaging is then rounded up to the nearest hundred grams to arrive at the postage figure. I make no charge for packaging materials and do not seek to profit from postage and packaging. Postage can be combined for multiple purchases. Packed weight of this item : approximately 800 grams Postage and payment options to U.K. addresses: Details of the various postage options can be obtained by selecting the “Postage and payments” option at the head of this listing (above). Payment can be made by: debit card, credit card (Visa or MasterCard, but not Amex), cheque (payable to “G Miller”, please), or PayPal. Please contact me with name, address and payment details within seven days of the end of the listing; otherwise I reserve the right to cancel the sale and re-list the item. Finally, this should be an enjoyable experience for both the buyer and seller and I hope you will find me very easy to deal with. If you have a question or query about any aspect (postage, payment, delivery options and so on), please do not hesitate to contact me. International buyers: To estimate the “packed weight” each book is first weighed and then an additional amount of 150 grams is added to allow for the packaging material (all books are securely wrapped and posted in a cardboard book-mailer). The weight of the book and packaging is then rounded up to the nearest hundred grams to arrive at the shipping figure. I make no charge for packaging materials and do not seek to profit from shipping and handling. Shipping can usually be combined for multiple purchases (to a maximum of 5 kilograms in any one parcel with the exception of Canada, where the limit is 2 kilograms). Packed weight of this item : approximately 800 grams International Shipping options: Details of the postage options to various countries (via Air Mail) can be obtained by selecting the “Postage and payments” option at the head of this listing (above) and then selecting your country of residence from the drop-down list. For destinations not shown or other requirements, please contact me before buying. Due to the extreme length of time now taken for deliveries, surface mail is no longer a viable option and I am unable to offer it even in the case of heavy items. I am afraid that I cannot make any exceptions to this rule. Payment options for international buyers: Payment can be made by: credit card (Visa or MasterCard, but not Amex) or PayPal. I can also accept a cheque in GBP [British Pounds Sterling] but only if drawn on a major British bank. Regretfully, due to extremely high conversion charges, I CANNOT accept foreign currency : all payments must be made in GBP [British Pounds Sterling]. This can be accomplished easily using a credit card, which I am able to accept as I have a separate, well-established business, or PayPal. Please contact me with name, address and payment details within seven days of the end of the listing; otherwise I reserve the right to cancel the sale and re-list the item. Finally, this should be an enjoyable experience for both the buyer and seller and I hope you will find me very easy to deal with. If you have a question or query about any aspect (shipping, payment, delivery options and so on), please do not hesitate to contact me. Prospective international buyers should ensure that they are able to provide credit card details or pay by PayPal within 7 days from the end of the auction (or inform me that they will be sending a cheque in GBP drawn on a major British bank). Thank you. (please note that the book shown is for illustrative purposes only and forms no part of this auction) Book dimensions are given in inches, to the nearest quarter-inch, in the format width x height. Please note that, to differentiate them from soft-covers and paperbacks, modern hardbacks are still invariably described as being ‘cloth’ when they are, in fact, predominantly bound in paper-covered boards pressed to resemble cloth. Fine Books for Fine Minds I value your custom (and my feedback rating) but I am also a bibliophile : I want books to arrive in the same condition in which they were dispatched. For this reason, all books are securely wrapped in tissue and a protective covering and are then posted in a cardboard container. If any book is significantly not as described, I will offer a full refund. Unless the size of the book precludes this, hardback books with a dust-jacket are usually provided with a clear film protective cover, while hardback books without a dust-jacket are usually provided with a rigid clear cover. The Royal Mail, in my experience, offers an excellent service, but things can occasionally go wrong. However, I believe it is my responsibility to guarantee delivery. If any book is lost or damaged in transit, I will offer a full refund. Thank you for looking. Please also view my other listings for a range of interesting books and feel free to contact me if you require any additional information Design and content © Geoffrey Miller

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